Webster Hall Moves From Synth Shadows to Full-Pop Scale, September 10–12

The most useful way into next week’s crowded calendar may be one room with three entirely different frames of reference. From Thursday, September 10, through Saturday, September 12, Webster Hall hosts Black Marble, The Bogmen, and Melanie C: a compact East Village run that travels from inward-looking electronic pop to a locally rooted band with a broad musical vocabulary, then toward the scale of an international tour. The venue’s own calendar places all three on consecutive evenings, making this an unusually legible three-night choice for listeners who like their weekends varied but geographically simple. Webster Hall sits at 125 East 11th Street, a familiar address for a bill that can shift character from night to night without losing its sense of occasion.^[1]

Thursday begins at 8 p.m. with Black Marble, joined by Public Circuit and Jimmy Cicero. Black Marble is Chris Stewart’s project, and Webster Hall’s artist material points to the syncopated drums and staccato arpeggios of 2019’s Bigger Than Life. That language gives the night a useful entry point: precise electronic architecture, pop scale, and a vocal-led project whose approach has room to meet a full club sound system. Public Circuit and Jimmy Cicero deepen the bill’s local electronic lineage, so the show reads as a three-act program instead of a lone headliner with incidental openers. For anyone building a long weekend, this is the concentrated start: Thursday music with a clearly defined pulse and a spacious enough bill to reward an early arrival.^[2]

Friday’s 7:30 p.m. show turns to The Bogmen, with Vapors of Morphine. The Bogmen formed in 1993 and their official Webster Hall biography describes a band working with pop, rock, jazz, reggae, and soul. Those ingredients explain why this date deserves attention alongside the electronic bill before it. Their music carries an ensemble-minded identity, with guitars, keyboards, bass, percussion, drums, and lead voice all present in the group’s original lineup. Vapors of Morphine adds a fitting companion for a night built around texture and cross-genre listening. Friday, then, offers the weekend’s loosest route: a band format where rhythmic detail and stylistic overlap matter as much as any single category on a calendar listing.^[3]

Saturday’s world-tour arrival

Melanie C brings the run to a pop-facing conclusion on Saturday at 7:30 p.m., with Sur Back. Her official site lists New York on the 2026 Melanie C World Tour between Washington, D.C., and Boston, while Webster Hall bills the date as part of that world tour. Her site also identifies Sweat as her current album and “Drum Machine” as a current single, giving the evening a present-tense anchor alongside the long solo career acknowledged in the venue biography. The show’s scale changes the temperature of the room after two club-rooted nights, yet the sequence still holds together around artists with distinct, durable musical identities. Saturday is a clear destination date for listeners seeking pop in a setting far smaller than an arena circuit.^[4][5]

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Plan the three-night route

The route is straightforward: Black Marble on Thursday, September 10 at 8 p.m.; The Bogmen on Friday, September 11 at 7:30 p.m.; and Melanie C on Saturday, September 12 at 7:30 p.m., all at Webster Hall. Each listing is for ages 16 and over. Tickets for Webster Hall shows are handled through the venue’s ticketing links, and the venue lists its address as 125 East 11th Street in New York. Recheck Webster Hall’s official show pages and Melanie C’s official tour page for ticket availability, door information, support details, and any schedule changes before heading out.^{[1][2][3][4][5]}

Sources

1. Shows — Webster Hall
2. Black Marble with Public Circuit and Jimmy Cicero — Webster Hall
3. The Bogmen — Webster Hall
4. Melanie C World Tour — Webster Hall
5. The Melanie C World Tour — Melanie C